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In the News: Feint and Misdirection

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Helena Maeve - USA Today feature

Three books on my keeper shelves:

• Delta of Venus by Anais Nin. Literature with a capital L taught me that sex in fiction should only be used to one of two ends: to highlight a violent act or to describe the female body in painstaking detail. Nin not only did away with the mechanical, but she embraced erotica as a genre as poetic and ripe for good storytelling as any other. A huge eye-opener.

Helena Maeve - Clitical interview

1. When did you first realize you wanted to be a writer?
I’ve wanted to write for as long as I can remember. Wee Helena couldn’t spell all that well, but she used to jot down stories her grandmothers told her. Slightly older (but not by much) Helena wrote complicated soap opera plays, in which she starred, of course, with her friends. But from writing more or less religiously my whole life to saying I wanted to be a writer was a bit of a leap.

Helena Maeve - Rude magazine feature

The truth is that I don’t much like writing about myself, as a woman or as a writer.

Well, that’s a big fat lie.

The truth is that I write about myself all the time. I just call it writing stories, inventing plots or crafting characters. I have a euphemism for every season. On some level, this is true of every writer. It’s a survival tactic for when rejections and bad reviews roll in. But in one form or another, we all revisit our hurts and magnify our triumphs on paper. I’m just really good at pretending otherwise. Here’s why.

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